Holocaust Cinema Complete, by Rich Brownstein Nathan Abrams is impressed by a comprehensive attempt to survey the ways Nazi atrocities have been represented on screen By Nathan Abrams 30 December
Planet Auschwitz: Holocaust Representation in Science Fiction and Horror Film and Television, by Brian E. Crim Nathan Abrams considers the many ways Nazi atrocities continue to echo through popular culture on screen By Nathan Abrams 19 November
Household Horror: Cinematic Fear and the Secret Life of Everyday Objects, by Marc Olivier Nathan Abrams is intrigued by the creepy possibilities film directors have found in refrigerators, typewriters and shower curtains By Nathan Abrams 17 August
Film as Embodied Art: Bodily Meaning in the Cinema of Stanley Kubrick, by Maarten Co?gnarts Nathan Abrams is impressed by a new approach to one of the great masters of 20th-century cinema By Nathan Abrams 30 January
The Vietnam War on Film, by David Luhrssen Nathan Abrams would have liked a wider range of examples in this study of how America＊s most traumatic war was represented in the cinema By Nathan Abrams 7 November
The Shining, by K. J. Donnelly Nathan Abrams considers an attempt to unravel the mysteries of Kubrick＊s cult masterpiece By Nathan Abrams 20 June
The Coen Brothers: This Book Really Ties the Films Together, by Adam Nayman A primer on the work of the ＆two-headed monster＊ teases out the Talmudic and Kubrickian influences on their cinematic universe, says Nathan Abrams By Nathan Abrams 25 October
Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece, by Michael Benson Nathan Abrams admires an impressively researched, behind-the-scenes look at a science fiction classic By Nathan Abrams 26 April
Hitler in Los Angeles: How Jews Foiled Nazi Plots against Hollywood and America, by Steven J. Ross When Goebbels and Hitler targeted Los Angeles, US officials did nothing. It was left to a Jewish lawyer to spearhead the resistance, says Nathan Abrams By Nathan Abrams 15 February
The Philosophical Hitchcock: Vertigo and the Anxieties of Unknowingness, by Robert B. Pippin Nathan Abrams examines an impressively close scrutiny of the 1950s film By Nathan Abrams 30 November
